Gillis Congnet the Younger, “Christ Amongst the Birds and Bees,” c. 1640-41.
OK, this painting of Jesus really reminds me of this more familiar scene:
Even his pose is Disney princess-ish! I can just picture those animated mouse ears bouncing on top of sing-along lyrics at the bottom of the frame: “With a smile and a song, / Life is just a bright sunny day…”
But on a more serious note: How often do we think of Jesus as a meek and mild feminine figure? Sweet, passive, sentimental. Always with a sunny disposition. Gliding through the streets of ancient Palestine engulfed in a bright aura and commanding instant trust wherever he went. Gently calling people to his side, dispensing hugs and smiles and kind words. Like Snow White.
Throughout the eighteenth to early twentieth centuries (and sometimes in the seventeenth, as the above painting evidences), Jesus was often pictured this way in art. Because we’ve been conditioned to see him as this sort of peaceful, nonthreatening presence, we often forget that the Jesus who bounced little kids on his knee and knelt down to wash the feet of his disciples was the same one who overturned the moneychangers’ tables and called the Pharisees by angry epithets; that the same Jesus who extended his arms in blessing also pronounced some pretty dreadful woes.
Yes, people were drawn to him, but just as many, probably more, were repelled by what he said, and still are. Not everyone loved him. Not everyone confided in him and gave him their undivided allegiance. He was ultimately crucified for what he said—for claiming to be God, and for challenging the people’s understanding of Jewish law.
Let’s not treat Jesus like a flat, innocuous character from a fairy tale. He is a fully rounded person who continually shocked people with the ways in which he did not fit a mold or meet most standards of respectability.
Update, 2/13/12: I found another Disney princess Jesus painting.
Margaret Tarrant, “Jesus and the Animals,” 1930s-40s?
The Jesus Question 