
If you visit St. Mary’s Iffley using public transportation, you will happen upon it from the back. To get there from the Oval bus stop (end of the number 3 Rose Hill line), you will have to loop through a neighborhood and then step onto a narrow, tree-lined footpath, which will spit you out at the churchyard.
This small Norman church, built in 1170, is not a popular tourist destination, but I knew it would be worth the bus ride outside Oxford’s city center because of its two modern stained glass windows, which I had seen in photographs and wanted to see in person.
When you enter the church, immediately to your right is the South Window, designed by John Piper (the late English stained glass artist, not the American Christian author and speaker associated with DesiringGod.org!) and made by David Wasley. It was created in 1982 for an exhibition in Bristol and installed in St. Mary’s Iffley in 1995 after being gifted to the church by Piper’s widow, Myfanwy. Wasley added the blue border and the bottom inscription panel at this time so that the window would fit into the church’s original aperture.

John Piper (design) and David Wasley (execution), The Nativity, 1982. South Window, Church of St. Mary the Virgin, Iffley, Oxford, UK. (Installed in 1995.) Photo: Victoria Emily Jones.
The subject of the window is the Nativity of Christ—and it’s the most unique treatment of the subject I’ve ever seen. Instead of showing the babe in the manger, it shows a cast of animals announcing his birth in Latin, their respective utterances echoing the natural sounds they make. For example, “Ubi, ubi” sounds like the hooting of an owl, and “Christus natus est” has the same rhythm as “cocka-doodle-doo.” Continue reading →