Stations of the Cross art exhibition in London

Through April 17, St. Marylebone’s Parish Church in London is hosting an exhibition on the Stations of the Cross, curated by Art Below founder Ben Moore to raise proceeds for the Missing Tom Fund. Admission is free, but donations are accepted, and all the works are for sale.

For some of the artists—like Chris Clack, Paul Fryer, and Wolfe von Lenkiewicz—the figure of Jesus has served for years as a recurrent subject in their bodies of work. Other artists, however, are treating it here for the first time. You’ll find a mixture of media and styles on display at St. Marylebone’s, from oil paintings to minimalist works to digital collage. One of the aims of the exhibition, it appears, is to strip the Stations of their traditional dress and give them a more up-to-date look, so as to stimulate fresh perceptions (a tactic known as defamiliarization).

For example, Antony Micallef’s take on Station 1, Jesus is condemned to death, shows Jesus standing before an American Idol judges’ panel instead of before Pontius Pilate. Having just performed his audition for the chance to become America’s favorite singer, he now stands trial before four judges. Their sentence? “It’s a no”—four times over. He doesn’t have the right image. And they don’t like the tune that he sings.

Antony Micallef Jesus before Pilate

Antony Micallef, Kill Your Idol, 2014. Oil on linen, 100 x 150 cm.

By presenting this passion event within the framework of a reality TV show competition, Micallef challenges us to consider a few things: What happened to Jesus’s career after that first fatal judgment was passed? Is he someone that the public would cast its vote for today? Are we idolizing the right people, the right things, in our lives?  Continue reading

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Tee Time: Jesus is real

Jesus is realFound at avazar.co.uk.

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The Homeless Jesus sculpture is at it again

Provoking discussion, that is.

Last April I wrote about a sculpture by Timothy Schmalz that depicts Jesus as a homeless man on a street bench.

Well, another cast of it has been purchased by and installed outside St. Alban’s Episcopal Church in Davidson, North Carolina—and again it is meeting with varied reactions from neighbors. CNN interviewed one woman who finds it inappropriate and theologically indefensible: “Jesus is not a vagrant. Jesus is not a helpless person who needs our help. We need someone who is capable of meeting our needs, not someone who is also needy.” This quote saddens me, not only because it demonstrates a self-centered attitude, one that is more concerned with getting one’s own needs met than meeting the needs of others, but also because it fails to take into account the biblical parable of the sheep and the goats that inspired the artist to create this sculpture in the first place. When I heard the interview, what I heard was this: the church doesn’t need and doesn’t want needy people; it just wants Jesus. Now that is something that I find theologically indefensible, because when you follow Jesus, you get both, and you serve the one by serving the other. The Christian call is, in large part, to look out for and take care of the needy. Jesus told his disciples that giving shelter to a homeless individual is the same as giving shelter to him.

Also telling of this woman’s cheap brand of Christianity is that on first seeing the sculpture, she called the police because she was concerned about the safety . . . of the neighborhood! (Not of the hungry person on the bench, sleeping outside, unguarded, in twenty-something-degree temperatures.) This is just one of many unfair stereotypes given to homeless people: that they are a danger to society; that they are violent, thieving drunks.

Thankfully, the gospel helps us break through such stereotypes.

CNN also interviewed the rector of St. Alban’s, David Buck, who acknowledges the challenging nature of the Homeless Jesus sculpture but sees its message as positive and necessary. Buck said that church members sometimes use the sculpture as an aid in prayer. (The bench has an empty spot beside the feet of Christ for pray-ers to sit.)

Click here to watch the CNN video story.

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Vintage Jesus, Part 6: What Will Jesus Do upon His Return?

This twelve-part series outlines the “Vintage Jesus” sermons of Pastor Mark Driscoll. See part 1 here.

Click here to watch the sermon “What Will Jesus Do upon His Return?”

6:35: Jesus is coming back. (Jn. 14:3; Acts 1:11; etc.)

7:51: We don’t know when. (Matt. 24:44, 25:13)

8:49: What pop culture figures say about the Second Coming

WHAT SCRIPTURE SAYS

11:15: Jesus will judge everyone who has ever lived. (Ecc. 12:14; Mt. 12:36-37, 16:27; Jn. 5:22; Rom. 14:10-12; 1 Cor. 4:5; 2 Cor. 5:10; Rev. 12:11-13, 22:12)

Memling, Hans_Last Judgment

Hans Memling, The Last Judgment, 1466-73. Oil on panels. National Museum, Gdańsk, Poland.

 

 

14:22: There will be different judgments for Christians and non-Christians.  Continue reading

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Tee Time: Super Jesus

Superhero JesusFound at shirtmandude.com.

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Illuminations from an Armenian Gospel book

Before the Roman Empire adopted Christianity as its official state religion, Armenia did. Sometime around 286 an Armenian Christian man named Gregory (venerated in the Armenian Church as St. Gregory the Illuminator) was imprisoned for his faith by King Tiridates III. In 301 Gregory succeeded in converting the king, and Tiridates in turn imposed Christianity on his people—the first monarch ever to do so. Armenia is thus the oldest Christian nation in the world.

In addition to khatchk’ars (large stone crosses erected as memorials), Armenia is known for its sophisticated manuscript illuminations. Although they bear Byzantine and Persian influences, many also demonstrate originality. Take, for example, the iconography of the Baptism of Christ.

Baptism of Christ (Armenia)

The Baptism of Christ, from an Armenian Gospel book (Ms. W.543), 1455. Walters Art Museum, Baltimore.

One unique feature of Armenian Baptism paintings is the depiction of Christ standing on a dragon. This is because the Armenian Church interprets Psalm 74:13 as a prediction of Christ’s baptism: “Thou didst divide the sea by thy strength: thou brakest the heads of the dragons in the waters” (KJV). The following prayer, ascribed to Basil of Cappadocia, is recited in Armenian churches each year on the Feast of the Epiphany as part of the ritual blessing of the water of baptism:   Continue reading

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Tee Time: Hot Mess without Jesus

Hot mess without JesusFound at notw.com.

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On the variety of Jesus depictions in art

“Beauty alone has never been the object of most of those who built, painted, sculpted, or carved to make visible this Jesus who left behind no proven image or even description in words of his appearance. He appears in art in many ways, from King of kings and Lord of lords to gentle rabbi, compassionate friend, and suffering Man of Sorrows. He has been imagined in the guise of every civilization. It may seem, then, as if the Jesus whom artists and their cultures portray is an entirely ideal projection of themselves. Yet for him to be made visible in such a variety of images when no one authentic image is possible, surely there is something more to this than our human needs. If Christ is, as he has been called, the image of the invisible God, of that God, in whose image humanity is said to be made, then is it any wonder that the faces given to Jesus Christ are as numerous as the peoples of the earth?”

—from The Face: Jesus in Art,
an Emmy Award-winning documentary written by James Clifton

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Tee Time: Zoidberg Jesus

Zoidberg JesusFound at tshirtbully.com.

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“Who Is My Neighbor?” art conference in Grand Rapids, MI

Who Is My Neighbor? art conference

Calvin College’s Calvin Institute of Christian Worship has organized a weekend of seminars, workshops, and artist presentations that will focus on how we can use art to better love our neighbors. This exploration will be guided by the ideas of Latina theologian Cecila González-Andrieu (author of Bridge to Wonder: Art as a Gospel of Beauty) and philosopher Nicholas Wolterstorff (author of Art in Action: Toward a Christian Aesthetic).

The conference will take place April 25-26, 2014, with events spread across seven churches in downtown Grand Rapids. These churches will also host an art exhibition with over 300 pieces of original art, which will be open to the general public, free of charge, for the two weeks following the conference.

Standard registration is $150, but see here for special group, student, and single-day rates.

The artists who will be speaking about their work include:

There will also be hands-on workshops on printmaking, painting, ceramics, calligraphy, textile art, and mosaic.

Other talks include:

  • Cecilia González-Andrieu on how to become an asombrado, or wonder-filled being
  • Nicholas Wolterstorff on art and social justice
  • Martin Erspamer, OSB, on beauty as a pathway to God
  • Betsy Steele Halstead on best projection practices during church services
  • Vange Van Heusen, David Bosscher, and Eric Strand on running a church gallery
  • Carolyn Elaine on engaging students in the creative process
  • Jo-Ann VanReeuwyk on the importance of art education in K-12 schools
  • Rev. Karl VanHam and the Pine Rest pastoral staff on how to use art in spiritual care
  • Steve Prince on the art of John August Swanson
  • Panel discussion on the art and legacy of Corita Kent

For more information, visit Eyekons.com.

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