Through April 17, St. Marylebone’s Parish Church in London is hosting an exhibition on the Stations of the Cross, curated by Art Below founder Ben Moore to raise proceeds for the Missing Tom Fund. Admission is free, but donations are accepted, and all the works are for sale.
For some of the artists—like Chris Clack, Paul Fryer, and Wolfe von Lenkiewicz—the figure of Jesus has served for years as a recurrent subject in their bodies of work. Other artists, however, are treating it here for the first time. You’ll find a mixture of media and styles on display at St. Marylebone’s, from oil paintings to minimalist works to digital collage. One of the aims of the exhibition, it appears, is to strip the Stations of their traditional dress and give them a more up-to-date look, so as to stimulate fresh perceptions (a tactic known as defamiliarization).
For example, Antony Micallef’s take on Station 1, Jesus is condemned to death, shows Jesus standing before an American Idol judges’ panel instead of before Pontius Pilate. Having just performed his audition for the chance to become America’s favorite singer, he now stands trial before four judges. Their sentence? “It’s a no”—four times over. He doesn’t have the right image. And they don’t like the tune that he sings.
By presenting this passion event within the framework of a reality TV show competition, Micallef challenges us to consider a few things: What happened to Jesus’s career after that first fatal judgment was passed? Is he someone that the public would cast its vote for today? Are we idolizing the right people, the right things, in our lives? Continue reading








