Questions about the Atonement

I’m an inquisitive person.  I like to understand things.  Never content with answering just the what’s of any given topic, I like to get to the root of all the how’s and why’s as well.  Recently I realized that despite being a Christian for over half my life, I still do not understand the doctrine of atonement.  I understand all the “what’s” just fine; I was an AWANA kid, so I can quote all the Bible verses that deal with atonement, and I can even define related terms like “redemption,” “propitiation,” and “penal substitution”—but I have more difficulty explaining their logic.

At first I was embarrassed to admit this, seeing as the atonement is one of the major defining doctrines of Christianity.  Then I wondered whether seeking answers to such questions is even a legitimate pursuit, since God’s actions so often transcend human understanding.  (I have always struggled with admitting mystery into my belief structure; I cling to reason much too tightly, and this is a fault which I confess often.)  But ultimately, I’ve decided to make myself vulnerable and bring my questions before you, the online public, so that I can grow in knowledge and, hopefully, praise.  My goal is to refine the way I think about Christ’s work on the cross and how I explain it to others.  Continue reading

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Tee Time: Astro Jesus

Found at redbubble.com.

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Book Review: On a Friday Noon

(Book reviews are typically the most useful if they’re published the month the book comes out. Unfortunately, I’m thirty-three years late on this one, and the book has since moved out of print. However, if you’re interested in buying a copy, there are several that are being sold used on Amazon for a very low price.)

On a Friday NoonOn a Friday Noon: Meditations under the Cross by Hans-Ruedi Weber (published jointly by Eerdmans and the World Council of Churches) is a survey of the crucifixion in world art, from its earliest known appearance in the fourth century until 1979, when the book was published. Part One consists of thirty-three full-color images from around the globe, paired with devotional text—prayers, Bible verses, poems, and such. The second part is a seventeen-page essay titled “Across frontiers of centuries and cultures,” which traces the development of crucifixion iconography by region: the West, Latin America, Asia, and Africa. The essay draws all the artworks from Part One into the discussion and thus includes plate references.

Continue reading

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Tee Time: It was you who he died for

It was you who he died for Found at adifferentdirection.com.

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I pledge allegiance . . . to the slaughtered Lamb

This litany of resistance was compiled by Shane Claiborne, Chris Haw, Jim Loney, and Brian Walsh, and is published in the book Jesus for President: Politics for Ordinary Radicals (Zondervan, 2008).

One:  Today we pledge our ultimate allegiance to the kingdom of God.
All:  We pledge allegiance.
One:  To a peace that is not like Rome’s.
All:  We pledge allegiance.
One:  To the gospel of enemy love.
All:  We pledge allegiance.
One:  To the kingdom of the poor and broken.
All:  We pledge allegiance.
One:  To a king that loves his enemies so much he died for them.
All:  We pledge allegiance.
One:  To the least of these, with whom Christ dwells.
All:  We pledge allegiance.
One:  To the transnational church that transcends the artificial borders of nations.
All:  We pledge allegiance.
One:  To the refugee of Nazareth.
All:  We pledge allegiance.
One:  To the homeless rabbi who had no place to lay his head.
All:  We pledge allegiance.
One:  To the cross rather than the sword.
All:  We pledge allegiance.
One:  To the banner of love above any flag.
All:  We pledge allegiance.
One:  To the one who rules with a towel rather than an iron fist.
All:  We pledge allegiance.
One:  To the one who rides a donkey rather than a war horse.
All:  We pledge allegiance.
One:  To the revolution that sets both oppressed and oppressors free.
All:  We pledge allegiance.
One:  To the Way that leads to life.
All:  We pledge allegiance.
One:  To the slaughtered Lamb.
All:  We pledge allegiance.
One:  And together we proclaim his praises, from the margins of the empire to the centers of wealth and power.
All:  Long live the slaughtered Lamb.
One:  Long live the slaughtered Lamb.
All:  Long live the slaughtered Lamb.

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Tee Time: Jesus Bakes

Jesus bakes cookiesFound at zazzle.com.

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Christian Art in the National Gallery, London: Two Books

For about a thousand-year span (from roughly the eighth through seventeenth centuries), images of Jesus dominated Western art. Annunciations, Nativities, Last Suppers, Crucifixions. Preaching Christs, healing Christs, dead Christs, risen Christs. Christ as the Good Shepherd or Pantocrator. Perhaps these sorts of images seem dry and stilted to you; uninspiring, artificial—always the same dead stares, always the same pious poses and gestures. They used to seem that way to me. But when I took an art history course my sophomore year of college, it really opened up my understanding and appreciation of the masterpieces of earlier centuries and enriched my faith as well. I had never realized how much meaning was packed into some of these paintings. That’s because I had never allowed myself the time to get lost in a painting—I never gave the pictures a fair chance to resonate. And I had never learned the language of the artists of each age.

Painting the Word by John DruryThe Art of Worship by Nicholas Holtam

Here are two books that aim to help you sharpen your spiritual perception when it comes to art viewing, each written by an Anglican clergyman, and each confined to paintings from the National Gallery in London: Painting the Word: Christian Pictures and their Meanings by John Drury, former dean of Christ Church, Oxford, and The Art of Worship: Paintings, Prayers, and Readings for Meditation by Nicholas Holtam, former vicar of St. Martin-in-the-Fields. My intention was to read both and then recommend the best one (there is, after all, a lot of overlap in the image selection), but alas, I have to recommend both! They do take different approaches, though, so it depends on what you’re looking for.  Continue reading

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Upcoming Book Discussions

I read a lot of books.  With an hour-long bus ride to and from work every day, there’s plenty of time for reading.  And having a husband at MIT gives me access to books from university libraries all over the country, including Yale Divinity and Harvard Fine Arts, which, believe me, I take excellent advantage of.

There’s a lot of time for reading, yes, but considerably less time for writing.  I have a backlog of at least thirty books that I’d like to write about.  Here are some of them (a post on the first two is forthcoming this weekend):

  • Painting the Word: Christian Pictures and their Meanings by John Drury
  • The Art of Worship: Paintings, Prayers, and Readings for Meditations by the Reverend Nicholas Holtam
  • God’s Politics: Why the Right Gets It Wrong and the Left Doesn’t Get It by Jim Wallis
  • Jesus for President: Politics for Ordinary Radicals by Shane Claiborne and Chris Haw
  • The Wisdom Jesus: Transforming Heart and Mind—A New Perspective on Christ and His Message by Cynthia Bourgeault
  • Did Jesus Exist?: The Historical Argument for Jesus of Nazareth by Bart D. Ehrman
  • The Christ Connection: How the World Religions Prepared the Way for the Phenomenon of Jesus by Roy Abraham Varghese
  • The Next Christendom: The Coming of Global Christianityby Philip Jenkins
  • Printing the Word: The Art of Watanabe Sadao, ed. Patricia Pongracz
  • On a Friday Noon: Meditations Under the Cross by Hans-Ruedi Weber

Like Saint Augustine, “I count myself one of the number of those who write as they learn and learn as they write” (Letters cxliii).  That’s one of the main reasons I started this blog:  to share what I’m learning about Christ, and through that act of sharing, to learn even more.  Writing forces me to consolidate and make sense of all the information I gather throughout the week.  I love the challenge!

If you want to see what books I’m reading at any given time, check out my Shelfari site.  I’m pretty good at keeping it current.  I’ve also started adding information for books with a minimal or nonexistent online presence—mostly out-of-print art books, or books published outside the United States.  I add basic information like contributors and page count, but I also scan in the cover and enter in a list of illustrations.  Two things I like to know before purchasing art books are:  How many illustrations?  And are they in color?  On Shelfari, I specify these two items in the “Ridiculously Simplified Synopsis” field.  Most recently, I’ve been creating records for On a Friday Noon and P. Solomon Raj’s Biblia Pauperum.

Victoria's Shelfari shelf

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Tee Time: Jedi Jesus

Star Wars JesusMay the force be with you.

Found at threadless.com.

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“The Transfiguration” by Sufjan Stevens

The Transfiguration by Lodovico Carracci

Lodovico Carracci, “The Transfiguration,” 1594-95. Oil on canvas, 438 x 268 cm. Pinacoteca Nazionale, Bologna, Italy.

(See below to listen to this song from Sufjan Stevens’s 2004 album Seven Swans.)

“When he took the three disciples
to the mountainside to pray,
his countenance was modified, his clothing was aflame.
Two men appeared: Moses and Elijah came;
they were at his side.
The prophecy, the legislation spoke of whenever he would die.

Then there came a word
of what he should accomplish on the day.
Then Peter spoke, to make of them a tabernacle place.
A cloud appeared in glory as an accolade.
They fell on the ground.
A voice arrived, the voice of God,
the face of God, covered in a cloud.

What he said to them,
the voice of God: the most beloved Son.
Consider what he says to you, consider what’s to come.
The prophecy was put to death,
was put to death, and so will the Son.
And keep your word, disguise the vision till the time has come.

Lost in the cloud, a voice: Have no fear! We draw near!
Lost in the cloud, a sign: Son of man! Turn your ear!
Lost in the cloud, a voice: Lamb of God! We draw near!
Lost in the cloud, a sign: Son of man! Son of God!”

 

In this episode from Scripture (Matthew 17:1-9, Mark 9:2-8, Luke 9:28-36), the deity of Christ is once again affirmed.  “This is my Son,” God says.  “Listen to him!”  Behold his radiant face.  Look down the pipeline of human history and see how the law (Moses) and the prophets (Elijah) were pointing to him all along.  He is their glorious culmination, their fulfillment.

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