Visual Theology chapter outline

I highly recommend the book Visual Theology: Forming and Transforming the Community through the Arts. Click here to read my review, and see below for chapter summaries.

VISUAL THEOLOGY AND THE TRADITIONAL

1. “Art’s Last Icon: Malevich’s Black Square Revisited” by Charles Pickstone

Pickstone sees Kazimir Malevich’s oil painting Black Square (ca. 1923-30) as expressive of the apophatic tradition of spirituality, which finds God in silence, in darkness, in absence of speech. Using the Russian icon tradition as his discussion framework, Pickstone examines the topics of power, presence, and democracy as they relate to the image.

2. “‘Living on the Outside of Your Skin’: Gustav Klimt and Tina Blondell Show Us Judith” by Sarah Henrich

Here Henrich contrasts two portraits of the same subject: the apocryphal Judith, an Israelite widow who, through courage and cunning, decapitates the Assyrian general Holofernes and so saves her people. Whereas Klimt’s painting depicts Judith as a femme fatale—exotic, erotic, and deadly—Blondell depicts her as an angel “fallen into reality, scarred by her experience of tension and grief and able to challenge viewers, male and female, to see her as she is” (26). The paintings’ disparate meanings derive in part, says Henrich, from the artists’ different uses of nakedness and ornamentation.

3. “Wholly Porcelain: Mimesis and Meaning in the Sculpture of Ginger Henry Geyer” by Deborah Sokolove

Ginger Henry Geyer

Ginger Henry Geyer, Holy Roller, 2000. Adaptation of Giotto’s Pentecost from Scrovegni Chapel, Padua. Glazed porcelain with platinum, 2.3 x 10.5 x 17.2 in.

Geyer’s art juxtaposes, often humorously, the ordinary stuff of daily life (toys, kitchen utensils, bedding, etc.) with reproductions of religious works of art from earlier periods of history. For example, her Holy Roller is a glazed porcelain paint tray with a roller that is either picking up an entire scene out of the tray or spreading it down there. By drawing on religious symbols in this nontraditional way, she challenges viewers to consider the relationship between everyday life and the life of faith. Other works discussed in this essay are Cookie Cutter Christ and Faith and Reason Sleeping TogetherContinue reading

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Book Review: Visual Theology, ed. Robin M. Jensen and Kimberly J. Vrudny

Visual Theology book coverVisual Theology book cover

When most Christians think “theology,” they think the study of God as expressed in words—in either verbal or written forms. Theology is communicated through sermons, catechisms, creeds, dialogue, books, and articles, this we know. But few Christians have considered that theology can also be conveyed through visual art—through paint, wood, stone, cloth, ceramics, and other materials. This is the conviction that’s posed and exemplified in Visual Theology: Forming and Transforming the Community through the Arts, edited by Robin M. Jensen and Kimberly J. Vrudny (Collegeville, MN: Liturgical Press, 2009).

Continue reading

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Tee Time: Jesus Christ, eternally refreshing

Jesus Coca-Cola shirtFound at The Joyful Cherub.

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“Jesus of the Scars” by Edward Shillito

I was unable to confirm whether Edward Shillito (1872-1948) was actually a soldier during World War I or only writing from the perspective of one. In any case, he lived during the horrors of the Great War and published this poem in its wake, in 1919.

“Jesus of the Scars” by Edward Shillito

If we have never sought, we seek Thee now;
Thine eyes burn through the dark, our only stars;
We must have sight of thorn-pricks on Thy brow,
We must have Thee, O Jesus of the Scars.  Continue reading

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Tee Time: The Lord of All Things

T-shirt_Lord of All Things1 T-shirt_Lord of All Things2 T-shirt_Lord of All Things3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Found at churchsupplier.com, religioustshirts.co.uk, and creativestreams.net.

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Wilson Yates on why theology students should devote some study to the visual arts

Professor emeritus of Religion, Society, and the Arts at United Theological Seminary of the Twin Cities, Wilson Yates says that the arts can serve as . . .

  • A source for helping identify and understand the religious questions of human existence.
  • A source for helping understand the spiritual character of a particular culture.
  • A source of prophetic judgment and social protest.
  • A document and source for understanding the nature of historical and contemporary faith.
  • A model for the creation or construction of theology.
  • Integral forms for liturgy and worship.
  • An essential means of communicating the meaning of the Christian faith to the church and to the world.
  • An aid in the professional and spiritual growth of students by enabling them to develop their intuitive mode of knowing.
  • Structures through which people encounter the presence of God. That is to say, the arts can serve as a means of grace.
  • An invitation to explore certain fundamental questions regarding the relationships between aesthetics and theology, aesthetic experience and religious experience, and beauty and holiness.  Continue reading
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Tee Time: Real Men Love Jesus

real men love JesusFound at zazzle.com.

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Tee Time: Lamb, Lion, Savior, King

Tribal Jesus T-shirt

This T-shirt draws on imagery from the Book of Revelation in its characterization of Jesus.

Found at truevineart.com.

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What is “Christian art”?

“For those of us with no desire to dispense with theology in the name of some kind of religiously or spiritually inflected art, the question really comes down to what we mean by ‘Christian’ when it comes to Christian art. Must the artist be a Christian? Must the art depict Christian themes? Many commentators have argued the pros and cons of such axiomatic approaches to church-based art, and yet, as might be expected, no definitive answer has been forthcoming.

“Could we say, for example, that art is Christian when it shows concern for the politically dispossessed, disenfranchised, and distraught? That is the mainstay of Doris Salcedo’s work. If so, then her installation in Liverpool’s Anglican Cathedral in 1999 might be considered ‘Christian’ regardless of her own beliefs. These sculptures, employing her signature amalgam of domestic furniture, disconcertingly spliced together and sealed with concrete, stand in solemn testimony to the political violence of her native Colombia, and as mute witnesses for the disappeared and done-away-with.  Continue reading

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Tee Time: Just Do It

Just do itFound at jcdivinedesigns.com.

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