Gethsemane, Part 8: Indigenous Interpretations

This is my last post on Gethsemane, and I’d like to devote it to the presentation of some indigenous interpretations of the event.  In the Christian art of other countries, Gethsemane is treated far less frequently than other events in the life of Christ, like the nativity and the last supper.  (Madonna and Child portraits, though, tend to be the most common.)  But I was able to find these few pieces of art on the topic (in addition to the two contemporary paintings I discussed in a previous post—from Indonesia and Uganda).  Note how each artist gives Jesus native features, clothes him in native dress, and places him in a native environment.

Christ in Gethsemane

Luke Ch’en, “Gethsemane,” 1928 (China). Source: Each With His Own Brush by Daniel Johnson Fleming

Christ in Gethsemane

He Qi, “Praying at Gethsemane,” 1999 (China). Source: HeQiGallery.com

Christ in Gethsemane

Ki-chang Woonbo Kim, “Christ in Gethsemane,” 1952-53 (Korea). Source: woonbokorea.co.kr

Christ in Gethsemane

Sadao Watanabe, “Garden of Gethsemane,” 1962 (Japan). Source: liveauctioneers.com

Christ in Gethsemane

Jyoti Sahi, “Gethsemane,” 1983 (India).  Source: jyotiartashram.blogspot.com

Christ in Gethsemane

“Gethsemane,” 1973 (Cameroon). Source: Jesusmafa.com

Christ in Gethsemane

Walter Richard West, “Gethsemane,” 1954 (American Indian, Cheyenne). Source: Oklahoma Historical Society’s Encyclopedia of Oklahoma History & Culture

You may find it odd that these artists have chosen to depict Christ as Chinese, Japanese, and so on, but they probably find it just as odd that Americans depict him as American—white-skinned, wavy-haired, and blue-eyed—or cling instead to the Italianate Jesuses of the Renaissance.  What makes the American or European version of Christ any more valid than another country’s or people’s?  The majority of Christians have fixed Jesus in their minds as a Westerner, forgetting (or ignoring) the fact that he was Middle Eastern—a Jew from Palestine.  So is it right to displace him from his racial and cultural context so that we might adapt him to our own, and make him look just like ourselves?

This question is a loaded one, and I’m posing it now so that you can think about it for a while, as it is one of the main questions I hope to answer over the course of this blog.  For now, I just want you to start thinking about your picture of Jesus, and how much it is shaped by the culture you live in.  (And by “picture” I mean a visual idea, yes, but I’m also talking about your picture of Jesus’ whole person—personality, goals, values, and all.)

This entry was posted in Non-Western Art and tagged , , , , , . Bookmark the permalink.

One Response to Gethsemane, Part 8: Indigenous Interpretations

  1. Pingback: Luke 9: Face of Glory – The Transfiguration | Lingua Divina

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s